Working hours: 9:00–20:00 (Sunday: Closed) | sales@arefyevstudio.com
November 15, 2020 | Mixing and mastering
Keyboards are actually some of the least versatile tools out there. You can certainly make all kinds of different sounds on your keyboard. But, unless you use a different controller (which you can also do on any other instrument), each individual note can only be louder or quieter, and can also be turned on or […]
Read More →November 12, 2020 | Mixing and mastering
Having seen enough of the tough guys, we all dream of a big guitar stack, to which several microphones lead, and then necessarily to an expensive studio console (not forgetting about tube compression, of course, to give even more FAT). But more often than not, we have an inexpensive guitar, sound card, and a couple […]
Read More →November 11, 2020 | Mixing and mastering
Spotify has announced a new system for promoting tracks in recommendations. Despite the obvious benefits for some performers, the system already has two important features. First, the authors will receive less royalties for streaming such songs. Secondly, the recommendation system, which is considered to be a strong point of this streaming, risks becoming a collection […]
Read More →November 1, 2020 | Mixing and mastering
Many of us have either heard or have spoken out ourselves about the degradation of contemporary music. Tracks from the top charts every year become less expressive and more similar to each other, and the Internet is flooded with endless “Cadillacs” and “Fendi Hoodies”. It turned out that this is not a retrograde delusion, but […]
Read More →
October 6, 2020 | Mixing and mastering
Steven Slate Audio VSX is a new mixing system that combines hardware and software. The product consists of headphones and a specialized program that simulates various studios, rooms, cars and other equipment. The VSX headphone system allows you to create and mix music in accurate models of professional recording studios, mastering rooms, car stereos, nightclubs […]
Read More →
October 3, 2020 | Mixing and mastering
iZotope released the Neoverb Reverb, which combines ExponentialAudio with an intuitive AI-powered workflow to help music producers and mixing engineers quickly find the right space for instrumental and vocals. Neoverb’s ReverbAssistant feature allows you to quickly jump to the starting point in real time, and can also combine three different types of reverb at the […]
Read More →
September 4, 2020 | Mixing and mastering
IZotope announced the availability of version 8 of its complete suite of sound restoration tools. RX 8 comes with new tools and improved modules to help you achieve more results in less time. The package is not easy and will require good resources to work. The RX plug-in series is designed for point-to-point interaction with […]
Read More →
August 26, 2020 | Mixing and mastering
With the Amek EQ 200, PLUGIN ALLIANCE and BRAINWORX have introduced the first in a series of planned Amek hardware emulations. It is a seven-band equalizer designed to recreate the sound of the well-known parametric equalizers of the 1970s and 1980s from companies such as Sontec and GML. It is based on the GML 8200 […]
Read More →
June 24, 2020 | Mixing and mastering
Magnetic tape has played a defining role in shaping the sound of recorded music for decades. From early consumer cassette decks to high-end professional reel-to-reel machines, tape has never been a single “sound.” Later-generation machines were capable of astonishing accuracy, while early or budget decks often added significant coloration even before the signal touched the […]
Read More →