18 July , 2026 | Mixing and mastering
Native Instruments Super*Saw Review: A Workflow-Focused Synth for Modern Electronic Production Super*Saw is Native Instruments’ latest software synthesizer, developed in collaboration with Grammy-winning producer A. G. Cook. On paper, it revolves around one of electronic music’s most familiar building blocks: stacked, detuned sawtooth oscillators. That alone isn’t enough to justify another synth in a market […]
Read more >17 July , 2026 | Mixing and mastering
Sonuscore Elysion Elements Review: Is This Free Kontakt Instrument Worth Downloading? Free Kontakt instruments usually fall into one of two categories: simplified demo versions with locked features or lightweight libraries that lose their appeal after a few sessions. While they’re useful for exploring a developer’s ecosystem, few become tools that professionals continue using once commercial […]
Read more >17 July , 2026 | Mixing and mastering
Korg NTS-4 Review: Does This Compact Performance Mixer Actually Improve a Hardware Workflow? As hardware-based production continues to grow, one problem keeps resurfacing: compact mixers haven’t evolved at the same pace as modern synth rigs. Desktop synthesizers, Eurorack systems, grooveboxes, and drum machines are easy to combine creatively, but integrating them into a clean, portable […]
Read more >16 July , 2026 | Uncategorised
Sony IER-M500 Review: Is Sony’s New Stage IEM a Smart Choice for Professional Monitoring? The Sony IER-M500 enters a competitive segment where genuinely new ideas are uncommon. Affordable professional in-ear monitors have long been dominated by models like the Shure SE215 and Sennheiser IE 100 Pro, while most recent releases have focused on adding drivers […]
Read more >16 July , 2026 | Mixing and mastering
Gamechanger Audio Plus Pedal II Review: Does Its New Spectral Sustain Engine Deliver Real Workflow Advantages? Most sustain pedals still rely on variations of the same idea: capture audio, hold it, and let the player work around the limitations. Whether the effect is built on looping, freeze processing, or long reverb tails, the result is […]
Read more >15 July , 2026 | Mixing and mastering
Chord Dock 2.0 Review: Can This MIDI Composition Plugin Improve Real Production Workflows? Most MIDI composition plugins promise the same outcome: faster songwriting with fewer repetitive editing tasks. As projects become more complex, however, those same tools often introduce a different problem. Chord progressions, bass lines, arpeggios, and supporting parts end up scattered across dozens […]
Read more >15 July , 2026 | Mixing and mastering
Dystopian Waves Noesis Review: Intelligent Chord Progression Plugin for Modern Producers The market for chord progression plugins has expanded rapidly over the past few years, but many tools still force producers to choose between rigid theory templates and unpredictable idea generators. The result is often the same: more time sorting through unusable progressions than writing […]
Read more >14 July , 2026 | Mixing and mastering
Baby Audio SubCulture Review: Is This the Most Practical Bass Enhancement Plugin for Modern Mixing? Building a powerful low end has never been easier—or easier to get wrong. Modern productions demand bass that translates from full-range studio monitors to earbuds, laptops, streaming platforms, and club systems without sacrificing headroom or clarity. Simply boosting low frequencies […]
Read more >14 July , 2026 | Mixing and mastering
Safari Audio PolyRex Review: Workflow, Sound Quality & Mix Performance The market for analog-inspired software synthesizers is saturated. Producers can already choose from highly accurate Juno, Oberheim, Prophet, and Jupiter-inspired instruments, making it increasingly difficult for any new plugin to stand out on sound alone. Today, the more important question is whether a synth improves […]
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