Working hours: 9:00–20:00 (Sunday: Closed) | sales@arefyevstudio.com
Featured Review The ADAM Audio H715 Reference is an open-back, 150-ohm studio headphone designed for mixing, mastering, and Hi-Fi listening. Its main differentiator is the software package:...
Read Review →
Featured Review The Akai MPK Mini Plus II is a 37-key MIDI controller that combines RGB MPC pads, assignable encoders, a color display, creative MIDI-generation tools, and...
Read Review →
REFERENCE 3 Review: Is This the Smartest Mix Referencing Plugin or Just Another Crutch? Mix referencing has always been a discipline, not a feature. You compare, interpret, adjust, and repeat. That loop requires experience, not...
Read More →
Transport Vintage Tape — Not a Tape Emulator, But a Controlled Saturation Engine The release of Transport Vintage Tape by Iconic Instruments doesn’t follow the traditional tape plugin formula. It doesn’t aim to recreate a...
Read More →
New York is one of the few cities where polished label-level studio productions exist side by side with raw live recordings, fast demo drops, and beat-based singles released between shows. From Brooklyn home studios to...
Read More →
XLN Audio DB-30 Drum Butter — a faster way to shape drums without breaking your mix Modern drum processing is overloaded. Producers stack EQs, compressors, saturators, transient shapers, and limiters — and end up fighting...
Read More →
Harrison LiveTrax 3 — A Smarter Approach to Live Recording and Virtual Soundcheck Live recording has always been a compromise. Even with high-end consoles and experienced engineers, the reality is simple: what happens on stage...
Read More →
Accentize dxSplit Review: Rebuilding Dialogue Instead of Just Cleaning It There’s a hard truth in audio post: once dialogue is compromised, most tools can only make it “less bad.” They reduce noise, soften problems, and...
Read More →
Music Analytics for Artists: What Actually Drives Growth (Not Just Streams) Most artists misunderstand music analytics. They track streams, celebrate spikes, and panic when numbers drop — without ever understanding what caused those changes. The...
Read More →
Acustica Audio Ruby 3 Review — Tube EQ Modeling That Actually Behaves Like Hardware In a market saturated with “analog-style” plugins, very few tools genuinely replicate the behavior of real hardware. Acustica Audio’s Ruby 3...
Read More →
Overloud Gem Comp160 Review — A Modern dbx 160 Emulation Built for Real Mixing Workflows Overloud has expanded its Gem Series with the release of Gem Comp160, a detailed emulation of one of the most...
Read More →