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8 July , 2026 | Mixing and mastering
UAD Black Box HG-2 Review: Is This Tube Saturation Plugin Worth It? The UAD Black Box HG-2 is not difficult to make sound impressive. Drive it harder and a mix can feel denser, louder and more finished within seconds. The harder question is whether those changes survive level matching — and whether the plugin is […]
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7 July , 2026 | Mixing and mastering
Fracture Sounds Trails II Review: Is This Kontakt Library Worth It? Fracture Sounds Trails II enters a crowded category: cinematic Kontakt libraries built around unusual instruments, processed textures, and sounds that seem production-ready before the arrangement has properly started. The question is not whether its resonant trumpet, bass clarinet, percussion, synths, and acoustic sources sound […]
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7 July , 2026 | Mixing and mastering
M Media Audio Curve Control Review: Is This $59 Stereo EQ Worth It? M Media Audio Curve Control is a $59 dual-channel parametric EQ for mixing and mastering, built around three stereo workflows: linked processing, independent left/right EQ, and Mid/Side shaping. Each side uses a structured six-band layout, while every processed signal also passes through […]
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7 July , 2026 | Mixing and mastering
MOTU 16A, 848 and 10pre Receive Official Milan Certification MOTU has received official Milan certification for the 16A, 848 and 10pre audio interfaces, allowing all three models to exchange and route hundreds of audio channels with other Milan-certified devices over an AVB network. For a project studio running one interface from one computer, little changes. […]
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6 July , 2026 | Mixing and mastering
MotionTones Review: Quiet Music’s Physics-Based Generative Instrument in Practice Quiet Music MotionTones is a physics-based generative instrument built around a simple question: can bouncing objects produce musical material that still earns its place in a production after the visual novelty wears off? Quiet Music builds MotionTones around a real-time 2D physics environment. Balls fall, bounce, […]
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6 July , 2026 | Mixing and mastering
UVI Synth Anthology 5 Review: 300 Hardware Synths in One Production Instrument Synth Anthology 5 review discussions tend to start with scale: 300 hardware synthesizers and a library of more than 6,000 presets. Version 5 alone adds more than 100 hardware sources, over 1,000 new sound layers, more than 16,000 new samples, and 300 new […]
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4 July , 2026 | Mixing and mastering
Waveform 14 in Modern Production: AI Assistance, Surround Tools, and Its Actual Role in Today’s DAW Landscape Waveform 14 enters a DAW market where incremental version updates rarely change how records are built in practice. Tracktion positions this release around three core areas: a redesigned interface, expanded multi-channel and surround routing, and an AI-assisted layer […]
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4 July , 2026 | Mixing and mastering
Forma Labs Filament Review: Real-Time MIDI Orchestration, Workflow, and Limitations Forma Labs Filament tackles a specific problem in modern orchestral production: turning one MIDI performance into a controlled multi-instrument arrangement without building the routing architecture first. The plugin hosts instruments, redistributes incoming notes, reshapes voicings, and switches between orchestration setups from a single environment. Filament […]
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4 July , 2026 | Mixing and mastering
BOOM Library TRANSFORCE Review: Is This Advanced Transient Shaper Worth $139? Most transient shapers are fast until the problem becomes frequency-dependent. Add attack to a kick and the click may improve while the low-frequency peak gets harder to manage. Shorten a snare and the mix gains space, but the drum can lose the decay that […]
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