Время работы: 9:00-20:00 (воскресенье - выходной) | sales@arefyevstudio.com
19 July , 2026 | Mixing and mastering
Acustica Audio Mystic 2 Review: Is This Channel Strip Plugin Worth Adding to a Professional Mixing Workflow? The market for analog channel strip plugins is more competitive than ever. Engineers can choose from SSL, Neve, API, and countless boutique emulations, many of which promise authentic console tone while offering nearly identical processing chains. As a […]
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19 July , 2026 | Mixing and mastering
Jamstik LOON Review: Does This Hybrid Synth Plugin Improve Real-World Production Workflow? Software synthesis has reached a level of maturity where new releases rarely stand out because of additional oscillators or filter models alone. For many producers, the bigger bottleneck is workflow. Building a single playable instrument often means juggling multiple plugin instances, duplicated MIDI […]
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18 July , 2026 | Mixing and mastering
Native Instruments Super*Saw Review: A Workflow-Focused Synth for Modern Electronic Production Super*Saw is Native Instruments’ latest software synthesizer, developed in collaboration with Grammy-winning producer A. G. Cook. On paper, it revolves around one of electronic music’s most familiar building blocks: stacked, detuned sawtooth oscillators. That alone isn’t enough to justify another synth in a market […]
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17 July , 2026 | Mixing and mastering
Sonuscore Elysion Elements Review: Is This Free Kontakt Instrument Worth Downloading? Free Kontakt instruments usually fall into one of two categories: simplified demo versions with locked features or lightweight libraries that lose their appeal after a few sessions. While they’re useful for exploring a developer’s ecosystem, few become tools that professionals continue using once commercial […]
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17 July , 2026 | Mixing and mastering
Korg NTS-4 Review: Does This Compact Performance Mixer Actually Improve a Hardware Workflow? As hardware-based production continues to grow, one problem keeps resurfacing: compact mixers haven’t evolved at the same pace as modern synth rigs. Desktop synthesizers, Eurorack systems, grooveboxes, and drum machines are easy to combine creatively, but integrating them into a clean, portable […]
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16 July , 2026 | Uncategorised
Sony IER-M500 Review: Is Sony’s New Stage IEM a Smart Choice for Professional Monitoring? The Sony IER-M500 enters a competitive segment where genuinely new ideas are uncommon. Affordable professional in-ear monitors have long been dominated by models like the Shure SE215 and Sennheiser IE 100 Pro, while most recent releases have focused on adding drivers […]
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16 July , 2026 | Mixing and mastering
Gamechanger Audio Plus Pedal II Review: Does Its New Spectral Sustain Engine Deliver Real Workflow Advantages? Most sustain pedals still rely on variations of the same idea: capture audio, hold it, and let the player work around the limitations. Whether the effect is built on looping, freeze processing, or long reverb tails, the result is […]
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15 July , 2026 | Mixing and mastering
Chord Dock 2.0 Review: Can This MIDI Composition Plugin Improve Real Production Workflows? Most MIDI composition plugins promise the same outcome: faster songwriting with fewer repetitive editing tasks. As projects become more complex, however, those same tools often introduce a different problem. Chord progressions, bass lines, arpeggios, and supporting parts end up scattered across dozens […]
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15 July , 2026 | Mixing and mastering
Dystopian Waves Noesis Review: Intelligent Chord Progression Plugin for Modern Producers The market for chord progression plugins has expanded rapidly over the past few years, but many tools still force producers to choose between rigid theory templates and unpredictable idea generators. The result is often the same: more time sorting through unusable progressions than writing […]
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