2 June , 2026 | Mixing and mastering
Samplicity ScoreStage Launches With a Focus on Instrument Placement Rather Than Traditional Reverb Design Samplicity ScoreStage has entered the market with a different proposition than most recent reverb releases. Instead of concentrating primarily on room emulation, decay characteristics, or vintage hardware recreation, the new plugin is designed around a broader production challenge: creating believable spatial […]
Read more >2 June , 2026 | Mixing and mastering
Three-Body Technology Launches Transi-Q EQ Plugin for Transient-Focused Mixing Three-Body Technology has announced the release of Transi-Q, a new equalizer plugin designed around a concept that continues to attract attention among mixing engineers: shaping tone without compromising transient impact. While the modern EQ market is dominated by highly flexible digital tools packed with dynamic processing, […]
Read more >2 June , 2026 | Mixing and mastering
Carbon Electra 2 Review: Can Scaler Music Compete With Serum, Vital and Pigments? The software synthesizer market is more competitive than ever. Producers today can choose from industry giants such as Serum, Vital, Pigments, Massive X, Phase Plant and dozens of other instruments capable of creating modern electronic sounds. Enter Carbon Electra 2, the latest […]
Read more >1 June , 2026 | Mixing and mastering
Evolve Nest Acoustics Review: Why Organic Sound Design Often Falls Apart After Release Evolve Nest Acoustics enters a crowded market of cinematic instruments, ambient generators, and texture-focused plugins. What separates it from many competitors is not synthesis depth or sound design flexibility. Its focus is environmental detail: organic textures, evolving atmospheres, and movement that feels […]
Read more >1 June , 2026 | Mixing and mastering
Undertone Audio MPEQ-1 Review: A Boutique Analog EQ for Modern Mixing and Mastering Most analog-modeled EQ plugins promise the same things—musical curves, analog warmth, and hardware character. The real difference isn’t how they’re marketed. It’s whether they influence engineering decisions in ways that conventional digital EQs don’t. The Undertone Audio MPEQ-1 plugin stands apart because […]
Read more >31 May , 2026 | Mixing and mastering
TONEX ONE+ Review: Does Capture-Based Guitar Modeling Hold Up in Professional Production? Most TONEX ONE+ reviews stop at tone. They compare amp captures, browse presets, and debate how closely the platform reproduces real hardware. That discussion is useful, but it ignores the stage where guitar sounds are actually judged: the mix. A guitar tone can […]
Read more >30 May , 2026 | Mixing and mastering
SoundMorph PHUZE Review: Can It Solve the Modern Cinematic Sound Design Bottleneck? High-quality cinematic sound libraries are no longer difficult to find. The real challenge is creating sounds that do not immediately reveal their source. Trailer composers, game audio designers, and post-production teams often work from the same commercial libraries, which has made sonic repetition […]
Read more >29 May , 2026 | Mixing and mastering
Softube Bus Processor 670: A Modern Variable-Mu Compressor for Mix Bus and Mastering Softube Bus Processor 670 enters one of the most competitive segments of the audio production market. Engineers already have access to numerous Fairchild-inspired plug-ins, ranging from vintage-focused emulations to mastering-oriented variable-mu processors. Recreating the sound of a classic compressor is no longer […]
Read more >28 May , 2026 | Mixing and mastering
Arturia Memory V Review: The Reality of Mixing a Software Memorymoog Published May 2026 • Updated for current Arturia Memory V release workflow Arturia Memory V arrives at a time when software synth design is moving in two opposite directions at once. Producers want larger analog-style textures, more harmonic movement and less sterile digital behavior, […]
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