3 April , 2026 | Mixing and mastering
Tube Lab — tube channel strip plugin with analog saturation, Baxandall EQ and flexible routing Tube Lab is a tube channel strip plugin built around harmonic saturation, analog-style density, and flexible signal chain configuration. Instead of focusing on transparent processing, it is designed to shape tone, enhance harmonics, and add weight to digital mixes. The […]
Read more >3 April , 2026 | Mixing and mastering
iZotope has released Tonal Balance Control 3, a major update to its mix analysis and referencing tool. Unlike previous versions that focused mainly on frequency balance, the new release targets a more critical problem: how your mix translates after streaming processing. The key addition is a standalone desktop application that allows you to capture reference […]
Read more >3 April , 2026 | Mixing and mastering
Nuendo 15 is not just another DAW update — it’s a workflow-focused overhaul designed for post-production, film, TV and game audio. Steinberg clearly targets efficiency, precision and integration with modern video pipelines. Dialogue Analysis: measurable intelligibility, not guesswork The new Analyzer Track, powered by Fraunhofer IDMT, introduces real-time dialogue intelligibility metering. Instead of relying solely […]
Read more >31 March , 2026 | Mixing and mastering
In New York City, finding a mixing engineer is never the problem. Between Brooklyn studios, Manhattan production rooms, freelance profiles, and online marketplaces, artists can scroll through dozens of options in minutes. The real challenge is knowing who will actually deliver the sound your release needs — not just someone who offers mixing as a […]
Read more >29 March , 2026 | Mixing and mastering
Nashville is a city built on performances. Between nightly shows across Broadway, legendary rooms like the Ryman Auditorium, and endless session work happening in project studios, many tracks are recorded fast and released even faster. A single might be cut between gigs. A band might capture a live session and rush it toward streaming. A […]
Read more >27 March , 2026 | Mixing and mastering
In Chicago, finding mixing engineers is easy. Search results are filled with studio directories, freelance profiles, and “best of” lists. What’s difficult is figuring out who will actually deliver a great mix for your specific track. Many Chicago artists assume that higher prices mean better sound, or that the top-rated engineer will automatically fit their […]
Read more >25 March , 2026 | Mixing and mastering
Minneapolis and the wider Twin Cities area are known for a strong live music culture. Venues like First Avenue and 7th St Entry shape an environment where artists perform often, release frequently, and move fast between shows. Alongside this live scene, there is a large number of DIY musicians recording at home or in small […]
Read more >24 March , 2026 | Mixing and mastering
Dallas artists work fast. Between weekly club gigs, promo drops, and last-minute release pushes, most projects aren’t created on slow album timelines — they’re built around real show cycles. Yet one of the biggest frustrations musicians in the city face is not knowing how long mixing and mastering will actually take once files are sent […]
Read more >23 March , 2026 | Mixing and mastering
Philadelphia doesn’t move like a West Coast festival city or a Nashville session hub. It runs on show momentum. Fishtown lineups rotate weekly, Union Transfer books touring acts back-to-back, and artists often play Philly while lining up dates in New York, D.C., or Baltimore the same month. The pressure isn’t just “finish the mix.” It’s […]
Read more >
