News

Reason 14 Review: New Workflow, RV-9 Reverb, and DAW Comparison

9 April , 2026 | Mixing and mastering

Reason 14 Review: A Full Workflow Reset, New RV-9 Reverb, and a Late Push Back Into the DAW Race Reason 14 review is not about incremental updates. This release signals a structural rewrite of how the DAW operates. For years, Reason was locked into a rack-first philosophy that slowed down production. Version 14 shifts the […]

Pyramix 16 Review: DAW for Mastering, PanNoir and Dolby Atmos Explained

9 April , 2026 | Mixing and mastering

Pyramix 16 Review: A Precision DAW for Mastering, Spatial Audio, and Real Acoustic Workflows Pyramix 16 is not a mainstream DAW update. It’s a targeted engineering release built for a specific class of problems: phase integrity, spatial realism, and high-resolution audio workflows. While most DAWs compete on features and speed, Pyramix 16 positions itself around […]

REFERENCE 3 Review: Mix Referencing Plugin Breakdown, Features, and Limitations

8 April , 2026 | Mixing and mastering

REFERENCE 3 Review: Is This the Smartest Mix Referencing Plugin or Just Another Crutch? Mix referencing has always been a discipline, not a feature. You compare, interpret, adjust, and repeat. That loop requires experience, not just tools. REFERENCE 3 by Mastering The Mix attempts to compress that entire process into a guided system. Instead of […]

Transport Vintage Tape Review — Tape Saturation Plugin with Advanced Control

7 April , 2026 | Mixing and mastering

Transport Vintage Tape — Not a Tape Emulator, But a Controlled Saturation Engine The release of Transport Vintage Tape by Iconic Instruments doesn’t follow the traditional tape plugin formula. It doesn’t aim to recreate a specific machine. It doesn’t focus on analog nostalgia. Instead, it redefines what a tape-style processor can be inside a modern […]

Mixing vs Mastering in New York, NY: What Your Track Actually Needs Before Release

7 April , 2026 | Mixing and mastering

New York is one of the few cities where polished label-level studio productions exist side by side with raw live recordings, fast demo drops, and beat-based singles released between shows. From Brooklyn home studios to Manhattan session rooms and live multitrack captures from clubs across the city, tracks come together in very different ways — […]

XLN Audio DB-30 Drum Butter — Drum Processing Plugin for Faster Mixing Workflow

7 April , 2026 | Mixing and mastering

XLN Audio DB-30 Drum Butter — a faster way to shape drums without breaking your mix Modern drum processing is overloaded. Producers stack EQs, compressors, saturators, transient shapers, and limiters — and end up fighting their own signal chain. DB-30 Drum Butter by XLN Audio is built to solve that exact issue: not by adding […]

Harrison LiveTrax 3 Review — Live Recording and Virtual Soundcheck with DiGiCo Integration

6 April , 2026 | Mixing and mastering

Harrison LiveTrax 3 — A Smarter Approach to Live Recording and Virtual Soundcheck Live recording has always been a compromise. Even with high-end consoles and experienced engineers, the reality is simple: what happens on stage rarely translates cleanly into a multitrack session. The weak point isn’t the gear — it’s the workflow. Harrison LiveTrax 3 […]

Accentize dxSplit Review: AI Dialogue Separation That Actually Rebuilds Audio

5 April , 2026 | Mixing and mastering

Accentize dxSplit Review: Rebuilding Dialogue Instead of Just Cleaning It There’s a hard truth in audio post: once dialogue is compromised, most tools can only make it “less bad.” They reduce noise, soften problems, and hope artifacts stay hidden. That’s been the standard for years. Accentize dxSplit flips that model. Instead of suppressing unwanted elements, […]

Music Analytics for Artists: How to Track Streams and Actually Grow

4 April , 2026 | Mixing and mastering

Music Analytics for Artists: What Actually Drives Growth (Not Just Streams) Most artists misunderstand music analytics. They track streams, celebrate spikes, and panic when numbers drop — without ever understanding what caused those changes. The reality is simple: streams are a result, not a strategy. If you don’t know where they come from, you can’t […]