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5 March , 2018 | Mixing and mastering
In less than a week, the forum or Facebook group was not asked what mix level should be set for sending to mastering. Given the flow of various answers, the most common of these are suggestions for lowering the volume to -6 or -3dB to avoid peak peaks. For the most part, only two small […]
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28 February , 2018 | Mixing and mastering
SampleScience introduced Player – a free virtual tool in VST and AU formats for digital workstations on PC and Mac. SampleScience Player includes 200 tool patches, making it the largest free player available today. You can use it in your commercial music projects without worrying about copyright. Updated: According to the product representative, “Only part […]
Read more >20 February , 2018 | Mixing and mastering
Sennheiser has released a public beta version of AMBEO Orbit, a free binaural plugin in VST, VST3, AU and AAX formats for DAW programs on PC and Mac. AMBEO Orbit is a free panning utility developed by Sennheiser using the Neumann KU100 binaural microphone as a reference. The plugin is capable of stirring any mono […]
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17 February , 2018 | Mixing and mastering
Choosing a monitor is a matter of personal taste. Monitors are the equivalent of a mirror – what you hear should be a true representation of what is actually happening in the DAW program. The difference between studio monitors and consumer speakers is that the studio equipment is designed to clearly reproduce frequencies in a […]
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11 February , 2018 | Mixing and mastering
Mixing engineers and producers have long used reference tracks to structure and understand what end result the client wants. These are compositions of other musicians who are professionally mixed and in which certain shades and character are indicated (for example, like how the drums or vocals sound). This method of work allows you to shape […]
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9 February , 2018 | Mixing and mastering
Experienced sound engineers seem to speak a secret language. Random phrases and letters of the type “attack” and “release” are used to describe inanimate objects and functions. They talk about “gluing” and “compressing” instruments that sound quite acceptable even without them. Most of the compressors we use today are based on analog hardware devices (* […]
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6 February , 2018 | Mixing and mastering
Let’s talk about an advanced method of parallel compression and some scenarios for its use. Parallel compression uses the send and return setting of the signal, similar to how you send a stream to the effects processor. This is a combination of a dry signal mixed with a compressed version. In parallel tuning, you can […]
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1 February , 2018 | Mixing and mastering
Monitor controllers are an essential element in recording studios and improve workflow. Most engineers set up their home studios in spacious rooms without proper sound deadening design and proper placement of studio speakers. As equipment upgrades, it becomes necessary to purchase a monitor controller to route the audio signal. How to quickly switch between a […]
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26 January , 2018 | Mixing and mastering
Year 2017 gave us many libraries for NI Kontakt 5, and we highlighted some of the most interesting in terms of sound and feature set. Realistic orchestral libraries, creative sound designs, excellent emulations of old synthesizers and drum machines. Here are seven favorites! Sample Logic Electro City We were impressed by the sound of Electro […]
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